SPECTRA is now AXIS

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INTERVIEW·March 15, 2026

Cyberreality on Composing in the Dark

The Mexico City producer talks process, patience, and building sonic worlds from silence

AXIS Editorial · 8 min read
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AXIS Journal

Digital culture · Music · Technology

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INTERVIEW

INTERVIEW

Cyberreality on Composing in the Dark

In a basement studio tucked beneath Colonia Roma, Cyberreality builds the kind of music that takes time to understand — and longer to forget.

AXIS Editorial·March 15, 2026·8 min
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NEWS

NEWS

AXIS 4.0 Confirmed for Mexico City, March 21

AXIS 4.0 takes over an undisclosed industrial space in Mexico City on March 21, bringing together artists, developers, and communities across four hours of live programming.

AXIS Editorial·March 10, 2026·4 min
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ESSAY

ESSAY

Spaces That Were Never Meant for This

There is something that happens when art enters a space that was designed for something else entirely. The awkwardness is not a problem. It is the point.

R. Montoya·March 8, 2026·12 min
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CULTURE

CULTURE

The New Underground

Five years ago, calling something 'underground' in Mexico City meant something specific. Now it means something else. Neither meaning is wrong.

D. Varela·March 5, 2026·10 min
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TECHNOLOGY

TECHNOLOGY

AR and the Dissolution of the Gallery Wall

The most interesting question about AR in art is not how it enhances experience. It is what it reveals about the experience we already thought we were having.

L. Ochoa·February 28, 2026·9 min
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EVENT

EVENT

Episode III: What Happened in the Warehouse

AXIS Episode III ran four hours over schedule. Nobody complained. This is a report from inside.

AXIS Editorial·February 20, 2026·6 min
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ESSAY

ESSAY

Onchain Provenance and the Death of the Fake

The art world has always needed fakes. Not to be deceived by them — to define itself against them. What happens when faking becomes impossible?

A. Reyes·February 15, 2026·11 min
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INTERVIEW

INTERVIEW

Mami Pistola: Sounds Collected in Transit

Mami Pistola records everything. Every taxi, every terminal, every moment of waiting. 'The world is always making music,' she says. 'I just keep the receipts.'

AXIS Editorial·February 10, 2026·7 min